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Theodore Gericault Man with Delusions of Military Command 1819-22
Oil on canvas,
81 x 65 cm
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Theodore Gericault A Madwoman and Compulsive Gambler c. 1822
Oil on canvas,
77 x 65 cm
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Theodore Gericault Portrait of a Kleptomaniac c. 1820
Oil on canvas,
61,2 x 50,2 cm
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Theodore Gericault Napoleon mold Tamerlan mk178
around
1810-1820
oil on linen 45.2x37cm
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Theodore Gericault The hoof smith English mk178
1822 Lithorafe
29.3x37.7cm
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Theodore Gericault The race of the wild horses mk178
UM1817 oil on paper uber linen 45x60cm
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Theodore Gericault Study to the race of the wild horses mk178
1817 oils on linen
45.1x60cm
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Theodore Gericault Study of a Head Oil on canvas
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Theodore Gericault den sinnessjuka. la salperieres hyena mk248 under vistelsen i storbritannien bade gericult gjort studier av fattigdom ocb elande pa londons gator. l samma anda besokte ban efter aterkomsten till paris la salpetriere, ett sinnessjukbus, dar ban gjorde portratt av de intagna i ett medkannande forsok att fanga ocb forsta bilden av mentalsjukdom.
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Theodore Gericault Medusa Battle mk255 for in the years 1817-1819. 0.65 x 0.83 meters canvas. Paris, the Louvre
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Theodore Gericault de avhuggna huvudena 1818
olja pa duk 50x61
se
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Theodore Gericault le retour de la course se
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Theodore Gericault academie d'homme se
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Theodore Gericault academie d' homme se
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Theodore Gericault academie d' homme se
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Theodore Gericault le martyre de saint pirre dominicain se
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Theodore Gericault l' assomption de la vierge se
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Theodore Gericault la mise au tombeau d' apres titien se
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Theodore Gericault la mise au tombeau se
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Theodore Gericault la mise au tombeau se
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Theodore Gericault
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French Romantic Painter, 1791-1824
Born in Rouen, France, Gericault was educated in the tradition of English sporting art by Carle Vernet and classical figure composition by Pierre-Narcisse Gu??rin, a rigorous classicist who disapproved of his student impulsive temperament, but recognized his talent.
The Charging Chasseur, 1812.Gericault soon left the classroom, choosing to study at the Louvre instead, where he copied from paintings by Peter Paul Rubens, Titian, Diego Vel??zquez, and Rembrandt for about six years, from 1810 to 1815. There he found a vitality which he preferred to the prevailing school of Neoclassicism.
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